	The Juche Idea (62 min, 2008) "This film mixes together North Korean archival propaganda films, the Juche teachings of Kim Jong-Il, and a documentary exploration of a modern day North Korean artist residency. With a sense of craft and humor, Finn creates an unusual and fascinating examination of the underpinnings of North Korean culture and the effects of propaganda in cinema." — Ann Arbor Film Festival
	La Trinchera Luminosa del Presidente Gonzalo (60 min, 2007) "A crypto-retro-Marxist faux-documentation of one day in a Peruvian women's prison populated by Shining Path Maoists, Trinchera has the flattened feel and relentless tempo of a long-lost artifact of low-tech propaganda; shot entirely in Spanish and Navajo, complete with large-scale rallies and musical numbers, its compulsive ambition only furthers its enigmas." — Village Voice
	*Interkosmos (71 min, 2006)* "What a delight! How charming and fantastic, so full of rare atmospheres." — Guy Maddin, director "...a retro gust of Communist utopianism..." — Village Voice
	la lotería (video series, 2004-5) "Twelve are the winning numbers in this audiovisual lottery in the key of agit-pop, created from remains of media trash and starring Jim Finn. Write it down: 5, 11, 21, 23, 25, 28, 36, 38, 39, 16, 48, 52. All of them last less than four minutes but, according to its utopian assignment of preference, together they're much more, because in the eventful and episodic universe of Finn's cinema, everything's possible. Thus, TV appearances from Fidel Castro, Donald Rumsfeld and Saddam Hussein, are contrasted with home movies (which range from a choreography in front of the bathroom mirror to a relationship with the nicest squirrel in the world), and silenced by the soft melodies –now involuntarily subversive- of Ana and Juan Gabriel, Rocío Durcal, Los Guaraguao, The Weavers, Leonard Nimoy and even the beloved Argentine duo Pimpinela. Like the rest of his work, La lotería shows that Jim Finn has one of the most original and quick cinematic minds in present day." — Buenos Aires Festival Internacional de Cine Independiente
	super-max (13 min, 2003) “Finn’s chilling super-max is a tour of maximum security prisons shot from a moving car, their hulking forms framed by telephone poles and power lines that divide landscape and sky. The concluding voice-over, making reference to Lewis and Clark, implicitly equates the European occupation of this continent with imprisonment.” — Fred Camper, Chicago Reader PLAY CLIP
	Decision 80 (10 min, 2003) A decisive moment in American history remixed into the prelude to your worst fucking nightmare. — New York Underground Film Festival PLAY CLIP
	wüstenspringmaus (3 min, 2002) “’The gerbil has long been associated with New World capitalism because of its incessant energy.’ The Golden Age of Hollywood takes on the history and evolution of this delightful household pet.” — International Film Festival Rotterdam PLAY CLIP
	el güero (3 min, 2001) “A refreshing look at karaoke, psychedelic dance moves, and donuts all mashed together into a small and swinging film about a man who considers his private thoughts and private jokes worth sharing with a large audience. And it’s unlikely that many would disagree.” — Impakt Festival PLAY CLIP
	comunista! (3:30 min, 2001) “You are invited to Jim’s party! Snake optional.” — Cinematexas Festival PLAY CLIP
	sharambaba (3 min, 1999) A young communist girl named Sharambaba resists her suitor in a carriage. PLAY CLIP
	übermax (1 min, 2004) A musical companion piece to super-max: “Hitler, he had only one ball.”
	the golden horde (4:30 min, 2004) A reference to the Mongolian invasion of Russia, the golden horde is a a musical, animal film about broken hearts.